Quick Hitters: The ABC’s of non-singles R-W

“Grand Funk Railroad paved the way for Jefferson airplane, which cleared the way for Jefferson starship. The stage was now set for the Alan Parsons project, which I believe was some sort of hovercraft”

 

~R~

Real Estate-Easy

The opening track of their album, Days. It’s a vintage Real Easte Song; freely flowing but with a nice little hook. They have a way with coming up with choruses that feature Martin Courtney’s vocals blending in well with the subtle yet effective instrumentals that Real Estate provides.

 

 

~S~

Smashing Pumpkins-Geek USA

A longer, more heavier hitting version of another Siamese Dream track, “Quiet”. They have somewhat similar guitar riffs; the ones that made that whole album remarkable. But I like the way this tracks mixes with the pacing and goes from a fast, percussion driven song to a slower, head-rocking masher all within a matter of seconds. While it may not have the luster as “Today” or “Cherub Rock”, Geek USA was just as important to that album as any other track that was more featured on it.

 

 

~T~

Third Eye Blind-Graduate

I think the main reason this song didn’t receive hardly any radio play was because it was on an album that had countless other singles on it. If it hadn’t been on their breakout self-titled album, it likely would be more recognized. It’s nothing much different than everything else they’ve done, but you have like the angsty yet smooth tune this song carries. Stephan Jenkins delivers his noticeable style and along with some good lyrics, this made for another quality release on an album already chalked full of them.

 

 

~U~

Urge Overkill-Girl, You’ll Be a Woman Soon

I’ll admit that I know no other songs by this group. And I’m willing to bet this song did receive some airplay back in ’92 when it was released. However, I’m putting it in this posting for two reasons. One, there are few bands that start with “U” and two, even though you might recognize this song from “Pulp Fiction”, it’s unlikely you recognize this group. So perhaps you’re being reintroduced to this classic or you’re hearing it for the first time which works just as well.

 

 

~V~

Veruca Salt-Fosythia

This song starts out really chill but progressively gets heavier and concludes with a sweet guitar solo and chorus. Then it ends just the way it began. It’s the guitar/bass combo that makes this song stick out as vocalist Nina Gordon doesn’t seem to put much feeling into her vocals on this track. But I think that’s what the band was going for with this one and you’re left with a under the radar, cool song that doesn’t sound like it’s trying too hard.

 

 

~W~

Wavves-Nodding Off (featuring Best Coast)

My favorite song by this group was a collaboration effort that ended up appearing on the album Life Sux. “Nodding Off” has an amped up intro and the song never really lets up from there. The chorus is extremely catchy and the guitar solo kicks in just at the right time toward the closing of the song @2:40. My only complaint is that it’s ends abruptly making it too short in my opinion.

 

 

Advertisements

Quick Hitters: Long Live the 90’s Spectacle

Quick Hitters…well, not this time. I hope you have some time on your hands because the next three songs have some length to them. But believe me, when there is as much musical talent displayed throughout the entire song as three tracks have below, that is most definitely a good thing. One thing I have never prided myself in is my remarkably short attention span. I become bored rather easily. This is especially the case with music. It takes a lot of gall to release a song filled with some of your prime material that is over six minutes in length. First off, you are limiting its radio play as most popular radio stations don’t like to play songs much over 4 minutes. I suppose they either presume that all listeners will lose interest and change the station or perhaps it creates too long of a gap between advertisements. Either way those stations can fuck off. This post is a salute to the artists who, at the risk of it not being exposed to the masses, produced unique, memorable tracks that reward the listener for buying the album. I’ll never forget the first time I listened to Green Day’s Jesus of Suburbia. I’ve never heard that song played on the radio and I only saw the music video on TV once…complete travesty (highlight for me is Billie Joe’s distinct voice singing out “lost children with dirty faces today” with Mike Dirnt yelling out “Hey!”  in the background).

But today, I would like to celebrate some of the most memorable 90’s (as much as I hate to say it…uh…) EPIC songs. The first is a track by an artist you probably haven’t heard of if you were born after 1990. Their name is Ride and their song is “Leave Them All Behind” Prepare to be taken for a trip. It starts out with some keyboard and some bass almost leading you to believe it’s of the techno genre but it ends up being very grungey. That mark starts roughly @ 2:16 (see top comment @ link for excellent description). The vocals are sub-par. They take little away from what is an instrumental masterpiece.They do enough to mix it up and hit you with many different combinations of meaningful lyrics and guitar riffs. My interpretation of the lyrics is that the vocalist is describing  an unearthly experience such as departing this earth for the afterlife and not really caring about what has happened up until then. Turn your headphones up and tune out to “Leave Them All Behind”

The next track I have known about only for a short time thanks to a childhood muddled by car rides where I listened to less-than-inspirational artists. I heard from Chicago more than once that “I” was the inspiration and that Londonbeat has been “thinking about me” when I should have been more exposed to groups like My Bloody Valentine. Let’s take a peak at their closing track “Soon” from their album Loveless. Little description is needed, the quality of the song speaks for itself. Especially Kevin Shields’s gloomy vocals and the kick-in of the guitars, they’re what really make this song (@3:04). My Bloody Valentine is a mysterious group. We were not exposed to all that much and then they disappeared completely it seemed. It was Siruis XMU that re-acquainted me with this artist and the very reassuring fact that they are releasing new material! I still have high hopes for this group and think that their best is yet to come. Time will tell but for now, give “Soon” a try and leave your comments on this beautiful, elongated for the sake of their listeners, work of art.

The last song I will post is by Smashing Pumpkins. They seem to be my crutch when it comes to signifying momentous works of art. The work they produced though their 1st-3rd albums still leaves me speechless…it’s that remarkable. I wanted to use “Thru The Eyes of Ruby,” however, I have already posted a track from Mellon Collie and this appears to be a good opportunity to share what is and will always be my favorite Smashing Pumpkins song “Hummer.” The intro is misleading; it’s a scrambled mess that, while intriguing in itself, does not exemplify the clarity that is achieved for the duration of the song. The first episode of this occurs @ 1:44. Notice a theme between all three songs I’ve posted? They all have long running times, yet by comparison, there are not a whole lot of lyrics. That is because all three artists have the capability to say more than most of us ever could with some simple yet thoughtful lyrics mixed in with powerful instrumentals.  The best part of an already brilliant song starts @3:12 and goes on through the 4:00 minute mark of “Hummer.” It doesn’t drop a beat when the guitars kick right back in @4:04 and rehash the grass roots of this masterful track.  After that, it’s mostly low-key the rest of the way. Still, one cannot downplay the effect that listening to “Hummer” will have on your whole perspective of things…literally (on the link, sit through the ad…it’s worth the excellent sound quality of this player)

http://www.metacafe.com/watch/5690210/smashing_pumpkins_hummer_1993/

So young…even they may not have known at that time how much influence they would ultimately have on the alt rock/music scene for years to come